create an image of a wooden slated wall in light wood such as pine, next to a window with white linen curtains blowing in a light breeze, against the wall is a small pile of wooden slated wall panelling, in different shades such as oak and teak.  As though it appear in a high-end interior design magazine.

Architectural Panels

Architectural panelling introduces rhythm, depth, and quiet structure to an interior, subtly reshaping how a space is experienced rather than simply how it looks. Whether used to soften large walls, frame focal points, or create gentle zoning within open-plan rooms, panelling brings a sense of order without rigidity. In wabi-sabi and bohemian interiors, its beauty lies in imperfection — natural grain, tonal variation, and the way light moves across textured surfaces throughout the day. Used thoughtfully, panelling becomes part of the architecture itself, grounding a space while allowing softer elements — textiles, ceramics, and natural materials — to sit comfortably alongside it.

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change the image so that the rolls of paper piled on angle, with rolls stood up behind the main pile, while one role as a grey slate effect print. with a large tropical plant place in a large ceramic vessel, placed next to the rolls of paper

Surface Finishes

Surface finishes offer a way to shape the character of a space without permanently altering it. Through texture, tone, and material, they introduce depth and atmosphere — softening walls, catching light, and creating a sense of considered restraint. From subtle woven papers to mineral-inspired textures, these finishes allow interiors to evolve naturally over time, rather than feeling fixed or over-designed.

Designed to sit on the surface rather than redefine the structure, each finish can be layered, updated, or removed as tastes change. Used sparingly or across a full room, surface finishes bring warmth, imperfection, and quiet character — an approach rooted in wabi-sabi sensibilities and material honesty, where spaces are shaped slowly and lived in fully.

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